The VFR up to 180 fps (1080) is fun to have when I shoot waterfall. The good thing for me is able to shoot 4Kp60 so I have the flexibility to slow down the clip I want. Even the 400 Mbps is way overkilled particularly considering the much larger card required for an hour of shooting. This certainly is way over my head.įor practicality for my amateur application, I probably would not need the kind of depth like the profs. That way you can still film in Vlog-l and it won't look all washed out. It doesn't add the LUT to the footage, it only shows you the effect a LUT would have in the EVF and LCD if you were to use a LUT in post. I would personally turn down the sharpness / contrast / saturation a bit when shooting and then bring them back up in post.Īlso, does the GH5 have "monitoring luts"? It's a way to preview in camera how the footage would look IF you were to add a LUT later in post. It would actually be much EASIER AND QUICKER to drop a LUT on to your VLOG footage than it would be to use curves and wheels to get your footage to look "good."ĭoes the GH5 have a 709-like gamma? If you don't want to use VLOG, then I have heard 709-like can match pretty well with VLOG that has been corrected. I've heard good things about the Leeming LUT but haven't used it myself. Probably MOST of the LUTs that people create / sell online are done that way: they shot some vlog footage, tweaked it in lumetri until it "looks good" then export it and sell it.īut that can often lead to more problems than solutions if the people who created the LUT don't know what they are doing. On the other hand, if you want a LUT that will preserve color and tonal accuracy when going from VLOG to Rec 709, it is going to be a LOT of work on your part to get it accurate. I don't know PP since I use resolve, but I am guessing that it has a way to create a new lut. Gamut and gamma must be corrected - it is not a matter of art or taste, it is a precise formula that converts. I am sure if you search on the web for V Log L LUTs you will find offerings.Īgain, going from the V Log color gamut to REC709 color gamut is not done easily with color wheels and curves. The difference is that the gamma curve for V Log is for sensors with 14 stops of dynamic range (this includes the S1H and the S5, as well as the EVA1 and the Varicam), while V Log L is suitable for a lower DR. But it is for V Log, not V Log L, which is what the m43 cameras use. Is there any LUT that I can use?Įxactly how LUT differs from adjusting the Lumetri Color in the adjustment layer? Is it something I create and save as LUT? Is there something that's built-in in Premiere Pro CC? Is there any free download in the web, and how good are they? These were not shot with the GH5, of course, but what matters are V Log and 10bit, which both cameras have. I always shoot in V Log, whatever the conditions, because that does maximize the dynamic range and gives you more creative options. In sum, it IS easy, if you use LUTs or transforms. With the V Log LUT set for output, the V Log clips instantly look normal, and then you can "grade" to your hearts content to make the clips look better or more interesting. In Resolve, built-in, there is both a V Log LUT and the ability use color management to make the transform. There are two choices - a LUT that translates both the gamma and the gamut in one shot or color management transforms that do the same thing. That is for creative grading, after one gets a base that conforms to normal REC709. This not not really possible to do mucking around with curves, contrast, color wheels. So, one needs also to translate the color spaces. V Log is not just a gamma (curve) it is also a gamut - a color space - one that is far greater than that of REC709. But, no, "increasing the contrast or playing with curves" is not how (alone) one goes from V Log to REC709 (normal-looking video on normal screens). In general, real log video is fairly easy to grade and it just gives you more options if you do want to make heavier adjustments. Some of them emulate film types and others just get you to a look like what it would be if you shoot with a picture style in the camera. Then you'll come across terms like "LUT" which stands for "look up table." This is almost like a preset of contrast and other adjustments to give you a specific look. Better to have the extra data and not need it, than need it and not have it.Īs far as getting away from the dull video, it could be as easy as increasing the contrast or playing with curves and you'll be in a good place. You should generally use the log video on at all times.
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